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1995-01-31
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<text id=94TT1366>
<title>
Oct. 10, 1994: To Our Readers
</title>
<history>
TIME--The Weekly Newsmagazine--1994
Oct. 10, 1994 Black Renaissance
</history>
<article>
<source>Time Magazine</source>
<hdr>
TO OUR READERS, Page 17
Elizabeth Valk Long, President
</hdr>
<body>
<p> Last October, time senior correspondent Jack White noted that
in the same week, one African-American author, Toni Morrison,
won the Nobel Prize for Literature while another, Poet Laureate
Rita Dove, read her work at the White House. Not long thereafter,
another black poet, Yusef Komunyakaa, won the Pulitzer Prize.
White began to wonder whether these events and the increasing
prominence of other African-American authors signaled a black
literary efflorescence.
</p>
<p> Subsequent reporting by associate editor Janice Simpson and
editorial assistant Breena Clarke on dance, film, music and
theater quickly revealed that the artistic flowering was much
broader than a literary one. "In all of these fields," says
White, "what struck me was the audacity and exuberance of the
artists, some of whom had moved beyond racial themes and so-called
black styles, and felt free to explore any form." That freedom
is the keynote of this week's cover story, written by White.
</p>
<p> For Simpson, covering the Black Renaissance was her final reportorial
outing before taking over a new assignment: deputy chief of
correspondents, in charge of TIME's national-news coverage.
As enthusiastic as Simpson is about her new duties, which include
supervising 68 correspondents in 11 bureaus, her work on this
story reminded her of how much she will miss her first love,
covering the arts. Says she: "Nothing makes me happier than
being in the audience in a darkened theater, playing some small
part in the magic happening onstage."
</p>
<p> Clarke, who focused on black theater, had firsthand experience
of that magic: she was a professional actress before joining
TIME in 1984. Today she keeps in touch with the field through
her husband, actor Helmar Cooper.
</p>
<p> The cover portrait of choreographer Bill T. Jones, as well as
all the photographs of black artists accompanying the story,
were shot by staff photographer Ted Thai. For good measure,
Thai also took the striking portraits of Yale scholar Harold
Bloom and hot young filmmaker Quentin Tarantino in this week's
issue. As deputy picture editor MaryAnne Golon points out, "Ted
has a gift for thinking of imaginative ways to incorporate an
artist's discipline into a photograph." To incorporate the marvelous
achievements of today's African-American artists into the frame
of a cover story, all of our Black Renaissance team have shown
similar gifts.
</p>
</body>
</article>
</text>